![]() A younger, clean-shaven, naked Herakles, simply bearing on his head the Nemean lion skin, sits peacefully in a luxuriant garden prefiguring the Elysian Fields, watching the golden apples which the Hesperides will bring him, symbolising immortality, being picked. They are presented here as documentation, not as a reflection of Getty’s values. The hero no longer fights the snake guarding the tree with the golden apples or carries the world on his shoulders in place of Atlas. The images, their inscriptions, - and, in some cases, their titles - are products of their time. However, this episode is depicted in a totally new light. View the digital database of our collection containing more than 6,000 works of art. Located at: License: All Rights Reserved. A small portion of the museum’s permanent collection is on view at any time. ![]() 460450 B.C., Greek, Attic, Terracotta red-figure, Metropolitan Museum of Art Where Europe, Greece. Obverse, the death and apotheosis of Herakles Reverse, Amymone surprised by satyrs Horribly burned by a charm that his wife gave him in a misguided attempt to revive his love, Herakles had a funeral pyre built and threw himself on it to die. Kraters, Calyx kraters, Europe, Greece, ca. He is rarely depicted performing his labours, with the exception of his stay in the garden of the Hesperides. Niobid Painter, Niobid Krater, Attic red-Figure calyx-krater, c. Terracotta calyx-krater (bowl for mixing wine and water). In the figurative repertoire, Herakles holds a privileged position alongside Dionysos, but he is quite different from the hero of the classical era. ![]() The popularity of this shape is perhaps associated with local cult practices. The red figure calyx-krater in The Metropolitan Museum of Art heretofore attributed to the Tarporley Painter and said to have been found in Ruvo has always. published on 28 March 2015 Download Full Size Image A red-figure calyx krater from Boeotia, c. This accounts for the discovery of a number of Attic vases in Boeotia, notably in Tanagra.īased on these discoveries, the most popular type of vase in Boeotia was the chalice-shaped crater, which has a more slender form than in the previous century. Exports of Athenian ceramics to northern Greece, which began in the 5th century BC, continued throughout the following century.
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